My practice explores how relationships between structure, existence, and power are continually formed, inhabited, and transformed. Working through architecture, urban space, and everyday environments, I investigate how spatial structures and lived experience shape one another. Rather than treating structure as a symbol of authority, I approach it as a condition through which different forms of existence—and different forms of power—become perceptible.

Trained first in computer science, then architecture, and ultimately claimed by visual art, I bring together computational logic, architectural drawing, and watercolour to construct paintings that function as spatial systems rather than representations. Architectural precision and everyday experience, geometry and atmosphere, memory and observation are brought into relation, allowing each to reshape the others without collapsing their differences.

Rather than positioning power as something possessed only by those who define structures, I ask how it emerges through the ways spaces are inhabited, perceived, and quietly transformed. My paintings invite viewers to inhabit spaces that remain open rather than fixed, where structure and lived experience continually reshape one another, and where ordinary acts of presence become forms of agency.
Portrait of a woman with short black hair wearing a black turtleneck, standing against a plain white background.